A showroom for the display of Italian kitchens and high end audio was interpreted with an unusual palette of material and dramatic lighting. Stainless steel sheets were employed for the ‘crescendo’ of the far end of the space creating orbits anew. Concrete and metal lines framed the space and create a backdrop of inquiry and intrigue.

An arresting response to the brief of the client, ‘We need it to come alive and conceal the odd roof by yesterday’. An ‘installation approach’ was employed to take the attention off of the white tented roof and draw the focus onto the panels of fabric drawn in abstract arches. A wonderfully ‘elevating’ experience.

Using the idea of ‘from site to source ‘, we employed reinforcement bars to be the ‘protagonist’ in this on site marketing office. The life cycle of the office was 2 years, we deliberately proposed a modest and oft concealed material that was celebrated as the ‘star’ of the show. A fine line demarcates the ‘raw from the refined’ in a way that combines the opposing two seamlessly.

An artistic rendition of lines, playful, dramatic, and sculptural holds the architectural intent and landscape within its very worthy limbs. Strung through the radiating lines and placed into the Earth, the volumes of occupation are deftly located. Bold and delicate at once, this one burns into the memory tracts for its splendid uniqueness.

An organism ‘living, breathing and moving’ is the way in which the vermillion conduit inhabits this marketing office. It greets you, allows ascent and movement and then brings you out of the shell to a vantage viewing point. Precision of visitor experience and expression has been translated into definitive architectural language.

A transformation that takes a regular space into a trajectory that is most surprising- overlapping metal lines sweep the space geometrically and emotionally into wholly new dimension.

The two basins, his and hers have a geometric pattern of stone and steel metal tessellation, hand-cut and engineered to look sculptural. The internal framework is done in granite. The plumbing is engineered into the basin discreetly for the form to look monolithic.

A bath story is created by the use of brass sections to support the mirror and storage beside the basins, thereby creating a complete story of sculpted basins with the environment behind and around to work holistically.

An entirely conceptual faucet, gilded and dramatic, has a dialogue with its companion, the crafted basin. A stellar duo.

The translucent quality of onyx is amplified with the long limbed basin, When lit it is spellbinding and charms all and every.

Copper, brass, mild and stainless steel are in perfect luminious union as the mettalic lustre warms hearts and lights up minds. A cluster of vertical spheres and rings articulated in a rhythm of varying heights and proportions creates a 'modern chandelier' that breaks out of the traditional mould and walks boldly into the realm of 'decor jewellery,' having been inspired by the artform of tribal jewellery. Lights are concealed within the metal form so that the radiant quality of metal dazzles the room.

This MAGNETIC LIGHTING SYSTEM is a combination of apothecary for self healing , plants and light. This is a design that shines the light metaphorically and literally on the deep connect between natural healing, plants from which natural therapy is derived and the need to illuminate this ideology using form and innovative material. The magnetized horizontal strip allows versatility so the user can place the bowls of the apothecary and plant anywhere along the magnetic field, top or bottom. This philosophy, though complex, is expressed with poetically minimal form and geometry which represents the ' CIRCLE OF LIFE. This design is kinetic as it encourages and engages the user to create the version that is preferred on that day, at that time, it is always new depending on what you choose to view. INTERACIVE DESIGN.

Bidri, a dying craft has been rediscovered to find a new place in contemporary aesthetics. Bidri is created by casting an alloy of copper and zinc; hand etching designs into the metal and inlaying silver foil or wire into the grooves. It is then washed and boiled in sand from the Bidar fort which magically imparts the dark color against which the resplendent silver majestically stands out. The coffee tables stand out in the pastel design scheme with its glistening silver mandala motifs bringing in the traditional aspect in the modern setting.

A moving poem composed in form and material, Lapis Lazuli, white marble and textured wood create verse with profound yet effortless effort. The blue Lapis Lazuli is inlaid in a symbolic pattern into white marble. The wooden tablets appear precariously cantilevered atop the inlaid marble form in a contrasting geometric pattern. The chemistry of surprising patterns and forms is beguiling.

A very simple form in brass albiet with provocative pattern is inspired by the British Colonial flooring tiles found in the ever vanishing heritage homes. The table tops combine 'marble and wood' in full bodied geometric patterns. There are two kinds of wood- walnut and teak in an intricate inlay which in turn combines with pristine white marble. An unusual combination of materials and patterns on very clean frames of brass and mild steel. A modern ode to our Colonial past.

The sofa is a three material confluence - highly detailed silver, dark walnut wood and blue lustrous fabric. The silver layer is the bottom most and cusps the wooden layer which in turn grips the fabric. Clean lines, exquisite materials and modern symphony of using 'scarcely seen' Indian craft of silver work and creating modern elegance in a contemporary context.

A ‘motley medley’ of material, two kinds of metal, silver and mild steel find themselves paired with down to Earth wood, an unusual twist in the tale.

Ancient craft with modern interpretation, a staple studio philosophy, finds its way into a range of coffee tables. Beaten silver gains pure expression with this ‘silver scoop’ table. The two textures of silver define the exterior from the gleaming inner self.

The inextricable NEXUS BETWEEN MAN, PLANT AND WATER is manifested in this coffee table as 3 copper bowls, a glass planter and metal channel combine to write this poetic philosophy in the language of form and material.

The largest copper bowl pivots to allow water to move through the channel and cascade into the plant. The cup below the plant respectfully collects the excess drain off and the water is up cycled back into the plant to avoid water wastage. The third cup is a drinking cup and nurtures self. A celebration of plants, water and self in a holy trinity right in your living room. A design that engages the user to interact with an inanimate object which is humanised to create engagement. INTERACTIVE DESIGN.

How complex can simplicity be? We took the cleanest form and wrapped a series of exotic and 'rarely put together' materials. Dark mother of pearl with lustrous copper, add a twist of white marble and a 'dash' of mild steel. Then shake them up and vary the recipe in each table but use the same four ingredients. The result- a very modern but deeply seductive cocktail of form, colour, texture and material.